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	<title>2017-18 &#8211; DanceHouse</title>
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	<title>2017-18 &#8211; DanceHouse</title>
	<link>https://raredhbu2025q1.dancehouse.ca</link>
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		<title>Dorrance Dance (USA)</title>
		<link>https://raredhbu2025q1.dancehouse.ca/event/dorrance-dance-2018/</link>
					<comments>https://raredhbu2025q1.dancehouse.ca/event/dorrance-dance-2018/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sat, 14 Apr 2018 02:01:18 +0000</pubDate>
				<guid isPermaLink="false">http://dancehouse.ca/?post_type=portfolio&#038;p=1030</guid>

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			<h2>Triple Bill</h2>
<h3>April 13 &amp; 14, 2018, 8pm<br />
Vancouver Playhouse (600 Hamilton Street)</h3>
<p><strong>Speaking of Dance Pre-show Talk 7:15PM each night in the Vancouver Playhouse Upper Lobby.<br />
Guests: Donovan Dorrance and Gregory Richardson. Host: Sas Selfjord.<br />
Post-show Social after the performance on Friday night in the Playhouse Salon<br />
Running time: 70 minutes.</strong></p>
<p>An expansion of a piece with the same name that originally premiered at New York City Center’s 2015 Fall for Dance Festival, <em>Myelination</em> (2017) has been extended into a new, full-length work featuring original, live music by Donovan Dorrance and Gregory Richardson with vocalist Aaron Marcellus. The piece, in which each dancer is both an ensemble member and an improvisational soloist, challenges the performers to take risks and achieve new heights of technical and musical execution inside of the form of tap dance.</p>
<p>In addition, the rarely seen, Bessie-Award winning <em>Three to One</em> (2011), and the whimsical <em>Jungle Blues</em> (2012) complete this program, illustrating the great range for which this company is known.</p>
<p>This last show of the season promises to leave dance fans excited about what the future holds both for dance and the next season of DanceHouse.</p>

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			<p><strong>Production Sponsors</strong></p>
<h3>Anndraya Luui</h3>
<p><img decoding="async" class="alignnone size-full wp-image-1034" src="https://dancehouse.ca/wp-content/uploads/2018/04/Final-US-Logo-Vertical.png" alt="Consulate General of the United States of America" width="75" height="67" title="Dorrance Dance (USA) 1"></p>

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</div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_empty_space"   style="height: 100px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“I’ve seen the future of tap dancing and it looks like Michelle Dorrance. Her Dorrance Dance company… [puts] on a sensational show – one that emphasizes tap’s possibilities as a creative, artistic form, without ever sacrificing its ability to thrill and excite.” – Sarah Crompton, What’s On Stage</p><div class="vc_empty_space"   style="height: 10px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“There’s a irresistible collective spirit to this company, too. When they’re all performing together, the stage becomes clamorous with cross rhythms, counterpointed phrases and laughter.” – Judith Mackrell, The Guardian</p><div class="vc_empty_space"   style="height: 10px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“[An] effervescent, twitchy piece… [Myelination] showcases a bit of everything: from graceful, gliding swoops to one-armed balances that pull hip-hop back to tap… Throughout, Ms. Dorrance, a brilliant conductor, pushes the boundaries of tap while exposing its true nature: that it is music.” – Gia Kourlas, The New York Times</p><div class="vc_empty_space"   style="height: 10px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“It’s a concert for the eyes, contemporary dance for the ears.” – The Nation</p></div></div></div></div></div><div class="vc-row-container container"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p style="font-size: 75%;">Top photo: Dorrance Dance, Myelination © Matthew Murphy.</p>

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		<title>Speaking of Dance Conversations</title>
		<link>https://raredhbu2025q1.dancehouse.ca/event/sod-conversations-apr18/</link>
					<comments>https://raredhbu2025q1.dancehouse.ca/event/sod-conversations-apr18/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 10 Apr 2018 16:38:26 +0000</pubDate>
				<guid isPermaLink="false">http://dancehouse.ca/?post_type=portfolio&#038;p=1110</guid>

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			<h2>Tap Dance and Jazz Music: the Evolution of an Art Form</h2>
<h3>Tuesday, April 10, 2018; 7pm<br />
Djavad Mowafaghian World Art Centre, SFU Goldcorp Centre for the Arts<br />
149 W. Hastings Street</h3>
<p>Moderated by Sas Selfjord, Vancouver Tap Dance Society, in conversation with Jim Hibbard, Dayna Szyndrowski and Cory Weeds.</p>
<p><strong>Co-presented with SFU Woodward’s Cultural Programs.</strong></p>
<p><img decoding="async" class="alignnone size-full wp-image-574" src="https://dancehouse.ca/wp-content/uploads/2020/07/SFUW_LogoWordm_3C_www.png" alt="SFU Woodward&#039;s" width="150" height="53" title="Speaking of Dance Conversations 2"></p>

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			<p style="font-size: 75%;">Top photo: Speaking of Dance Conversations © Heather McDermid</p>

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		<title>Kidd Pivot and Electric Company Theatre (Vancouver)</title>
		<link>https://raredhbu2025q1.dancehouse.ca/event/kidd-pivot-and-electric-company-theatre-vancouver/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 14 Mar 2018 18:43:18 +0000</pubDate>
				<guid isPermaLink="false">http://dancehouse.ca/?post_type=portfolio&#038;p=1026</guid>

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			<h2>Betroffenheit – SOLD OUT</h2>
<h3>March 14 – 17, 2018, 8pm<br />
Vancouver Playhouse (600 Hamilton Street)</h3>
<p><strong>Run time: 120 minutes including intermission.<br />
Speaking of Dance Pre-show Talk 7:15PM each night in the Vancouver Playhouse Upper Lobby.</strong></p>
<p>March 14: Susan Mertens and Max Wyman<br />
March 15 – 17: Guest: Crystal Pite. Host(s): Susan Mertens/Max Wyman.</p>
<p>Post-show Social after the performance on Friday night in the Playhouse Salons.</p>
<p>Following three sold-out performances in 2016, the internationally acclaimed and breathtaking <em>Betroffenheit</em> returns to the DanceHouse stage. A creative collaboration between Kidd Pivot Artistic Director and choreographer Crystal Pite and Electric Company Theatre Co-Artistic Director Jonathon Young, <em>Betroffenheit</em> immerses audiences into the world of shock and bewilderment that encompasses us in the wake of a disaster. Don’t miss the rare return of this innovative, boundary-stretching hybrid of theatre and dance.</p>
<p>Winner…</p>
<ul>
<li>Olivier Award – Best New Dance Production (2017)</li>
<li>The Georgia Straight Critic’s Choice Innovation Award at the Jessie Richardson Theatre Awards (2016)</li>
<li>Outstanding Dance Production – Dora Mavor Moore Awards (2016).</li>
<li>Outstanding Performance in Modern Dance: Jonathon Young – Critic’s Circle National Dance Awards (2016).</li>
</ul>

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			<p>Post-show Social Sponsor</p>
<p><img decoding="async" class="alignnone size-full wp-image-1010" src="https://dancehouse.ca/wp-content/uploads/2020/08/bertacchi_logo-100x100-1.png" alt="Cappelleria Bertacchi" width="100" height="100" title="Kidd Pivot and Electric Company Theatre (Vancouver) 3"></p>

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</div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_empty_space"   style="height: 100px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“Betroffenheit is a stunning testament to what can happen when life turns into art.” – Martha Schabas, The Globe and Mail</p><div class="vc_empty_space"   style="height: 10px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“Pite’s special genius is in choreographing the body language of emotion in the distorted, lifting, folding shapes of her dancers’ bodies. In the sharply specific rhythms of trauma and comfort we can read whole narratives of suffering and recovery… The brilliance of this work lies in its refusal to offer any easy insights or promise of redemption.” – Judith Mackrell, The Guardian</p><div class="vc_empty_space"   style="height: 10px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“…Betroffenheit is not only a timeless portrait of grief and loss, but an unforgettable union of dance and theatre that achieves more than what either would be able to on their own.” – Kelsey Klassen, Westender</p></div></div></div></div></div><div class="vc-row-container container"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p style="font-size: 75%;">Top photo: Kidd Pivot and Electric Company Theatre, <em>Betroffenheit</em>, performers (L-R): Jermaine Spivey, Tiffany Tregarthen, Bryan Arias, David Raymond, Cindy Salgado, Jonathon Young © Michael Slobodian.</p>

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		<title>Toronto Dance Theatre (Toronto)</title>
		<link>https://raredhbu2025q1.dancehouse.ca/event/toronto-dance-theatre-toronto/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 23 Feb 2018 18:33:17 +0000</pubDate>
				<guid isPermaLink="false">http://dancehouse.ca/?post_type=portfolio&#038;p=1020</guid>

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			<h2>House Mix</h2>
<h3>February 23 &amp; 24, 2018, 8pm<br />
Vancouver Playhouse (600 Hamilton Street)</h3>
<p><strong>Speaking of Dance Pre-show Talk 7:15PM each night in the Vancouver Playhouse Upper Lobby.<br />
Guest: Christopher House. Host: Pia Lo.</strong></p>
<p>Post-show Social after the performance on Friday night in the Playhouse Salons.</p>
<p>On Saturday night, join us in the foyers at 7:45PM for a special performance of The NELKEN-Line by Pina Bausch, performed by Arts Umbrella dance students.</p>
<p>Toronto Dance Theatre celebrates its 50th anniversary with House Mix, a retrospective program showcasing five diverse works by choreographer Christopher House. Dive into the rich history of one of Canada’s foremost companies with a program including the high-energy, rhythmically complex <em>Vena Cava</em> (1999), graceful and luminous excerpts from <em>Fjeld</em> (1990), the playful and chaotic <em>Martingales</em> (2016), the unique and moody <em>Echo Dark</em> (2015), and a new work titled <em>Thirteen</em>. House’s use of space, ability to construct atmosphere and focus on the quality of interaction between his dancers is on display throughout the evening.</p>
<p><strong>Birthday Cake Sponsor</strong></p>
<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1010" src="https://dancehouse.ca/wp-content/uploads/2020/08/bertacchi_logo-100x100-1.png" alt="Cappelleria Bertacchi" width="100" height="100" title="Toronto Dance Theatre (Toronto) 4"></p>

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</div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_empty_space"   style="height: 100px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“…We are sucked into a captivating, moving picture created by an almost cinematic synthesis of light, sound and motion.” – The Globe and Mail</p><div class="vc_empty_space"   style="height: 10px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“…high-energy, high-flying contemporary movement.” – Toronto Star</p><div class="vc_empty_space"   style="height: 10px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“As an artist, [House] might be compared to Richard Serra, that most choreographic of sculptors, so attentive to curves, planes, elevations, rises, landings and, above all, footing, reconfiguring ever more ordinary, unadorned and consistent steps into original, affective and solid dance forms.” – Ben Portis, The Dance Current</p></div></div></div></div></div><div class="vc-row-container container"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p style="font-size: 75%;">Top Photo: TDT, <em>Vena Cava</em> © Guntar Kravis.</p>

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		<title>Speaking of Dance Conversations</title>
		<link>https://raredhbu2025q1.dancehouse.ca/event/speaking-of-dance-conversations/</link>
					<comments>https://raredhbu2025q1.dancehouse.ca/event/speaking-of-dance-conversations/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 20 Feb 2018 17:02:00 +0000</pubDate>
				<guid isPermaLink="false">http://dancehouse.ca/?post_type=portfolio&#038;p=1120</guid>

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			<h2>Vancouver and Toronto’s Cultural Scenes in the 70s: A Comparison</h2>
<h3>Tuesday, February 20, 2018; 7pm<br />
Djavad Mowafaghian World Art Centre, SFU Goldcorp Centre for the Arts<br />
149 W. Hastings Street</h3>
<p>Moderated by Pia Lo (Dance journalist and blogger at Globe Dancer), in conversation with Megan Andrews (Visiting Scholar at the Institute for Performance Studies, School for Contemporary Arts at SFU), Kate Bird (Author of Vancouver in the Seventies: Photos From a Decade That Changed the City) and Cheryl Prophet (Senior Lecturer, Dance at the School for Contemporary Arts at SFU).</p>
<p><strong>Co-presented with SFU Woodward’s Cultural Programs.</strong></p>
<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-574" src="https://dancehouse.ca/wp-content/uploads/2020/07/SFUW_LogoWordm_3C_www.png" alt="SFU Woodward&#039;s" width="150" height="53" title="Speaking of Dance Conversations 5"></p>

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			<p style="font-size: 75%;">Top photo: Speaking of Dance Conversations ©&nbsp;Heather McDermid</p>

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		<title>Action at a Distance (Vancouver)</title>
		<link>https://raredhbu2025q1.dancehouse.ca/event/action-at-a-distance/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 23 Nov 2017 17:43:53 +0000</pubDate>
				<guid isPermaLink="false">http://dancehouse.ca/?post_type=portfolio&#038;p=1000</guid>

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			<p><strong>Co-presented with SFU Woodward’s Cultural Programs &amp; SFU’s School for the Contemporary Arts.<br />
<img loading="lazy" decoding="async" class="alignnone size-full wp-image-574" src="https://dancehouse.ca/wp-content/uploads/2020/07/SFUW_LogoWordm_3C_www.png" alt="SFU Woodward&#039;s" width="150" height="53" title="Action at a Distance (Vancouver) 6"><img loading="lazy" decoding="async" class="alignnone wp-image-1018" src="https://dancehouse.ca/wp-content/uploads/2017/11/sca_logo_cmyk2017_50h.png" alt="SFU School for the Comtemporary Arts" width="266" height="35" title="Action at a Distance (Vancouver) 7" srcset="https://raredhbu2025q1.dancehouse.ca/wp-content/uploads/2017/11/sca_logo_cmyk2017_50h.png 449w, https://raredhbu2025q1.dancehouse.ca/wp-content/uploads/2017/11/sca_logo_cmyk2017_50h-300x39.png 300w" sizes="auto, (max-width: 266px) 100vw, 266px" /><br />
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<h2>Wells Hill</h2>
<p><strong>A special Celebrate Canada 150+ event</strong></p>
<h3>Preview: November 23, 2017, 8pm<br />
November 24 &amp; 25, 2017, 8pm + November 26, 2017, 2pm<br />
Fei and Milton Wong Experimental Theatre, SFU Goldcorp Centre for the Arts (149 West Hastings Street)</h3>
<p><strong>Speaking of Dance Pre-show Talk 7:15PM on November 24 + 25<br />
Guest: Vanessa Goodman. Host: Richard Cavell.</strong></p>
<p>Post-show Social after the performance on Friday night.</p>
<p>Please note: this performance will take place at Fei and Milton Wong Experimental Theatre, SFU Goldcorp Centre for the Arts.</p>
<p>Three years in the making, Vancouver’s Vanessa Goodman brings the world premiere of Wells Hill to the DanceHouse stage. Seven exceptional dancers splice themes of technology and communication into this intriguing and provocative new work based on the sweeping philosophies of Marshall McLuhan and Glenn Gould. These two Canadian luminaries altered how we consume art and information, and their prescient ideas provide an engaging framework for an exciting, immersive performance that is both visceral and cerebral.</p>

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</div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_empty_space"   style="height: 145px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“…you can really sense Goodman’s ability to choreograph; she also excels at creating a look and atmosphere, here with James Proudfoot’s stark white spot and fluorescent lighting and Gabriel Saloman’s original-sound compositions.” – Janet Smith, Georgia Straight</p><div class="vc_empty_space"   style="height: 10px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“The movement is as gorgeous as ever, at once languid and sinewy and robustly energetic in a way that is equally responsive to Gould playing Bach and to Gabriel Saloman’s original immersive sound score… I look forward to the premiere of the full piece in 2017 at SFU Woodward’s.” – Peter Dickinson, Performance, Place and Politics</p></div></div></div></div></div><div class="vc-row-container container"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p style="font-size: 75%;">Top photo: Action at a Distance, Wells Hill © David Cooper.</p>

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		<title>Speaking of Dance Conversations</title>
		<link>https://raredhbu2025q1.dancehouse.ca/event/sod-conversations-nov17/</link>
					<comments>https://raredhbu2025q1.dancehouse.ca/event/sod-conversations-nov17/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 21 Nov 2017 16:54:13 +0000</pubDate>
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			<h2>Marshall McLuhan and the Global Village: What effect is globalization having on the arts in Vancouver?</h2>
<h3>Tuesday, November 21, 2017; 7pm<br />
Djavad Mowafaghian World Art Centre, SFU Goldcorp Centre for the Arts<br />
149 W. Hastings Street</h3>
<p>Moderated by Richard Cavell (Founder of Media Studies Program at UBC and author of Remediating McLuhan), in conversation with Yvonne Chartrand (Artistic Director, V’ni Dansi), Jaime Hilder (Instructor, Critical and Cultural Studies Department, Emily Carr University of Art and Design), and Nigel Prince (Executive Director, Contemporary Art Gallery).</p>
<p><strong>Co-presented with SFU Woodward’s Cultural Programs.</strong></p>
<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-574" src="https://dancehouse.ca/wp-content/uploads/2020/07/SFUW_LogoWordm_3C_www.png" alt="SFU Woodward&#039;s" width="150" height="53" title="Speaking of Dance Conversations 8"></p>

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			<p style="font-size: 75%;">Top photo: Speaking of Dance Conversations © Heather McDermid</p>

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		<title>Tero Saarinen Company (Finland)</title>
		<link>https://raredhbu2025q1.dancehouse.ca/event/tero-saarinen-company-finland/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 27 Oct 2017 17:55:50 +0000</pubDate>
				<guid isPermaLink="false">http://dancehouse.ca/?post_type=portfolio&#038;p=1006</guid>

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			<h2>Morphed</h2>
<h3>October 27 &amp; 28, 2017, 8pm<br />
Vancouver Playhouse (600 Hamilton Street)</h3>
<p><strong>Speaking of Dance Pre-show Talk 7:15PM each night in the Vancouver Playhouse Upper Lobby.<br />
Guest: Tero Saarinen. Host: Janet Smith.</strong></p>
<p>Post-show Social after the performance on Friday night in the Playhouse Salons.</p>
<p>In the spirit of Finland’s centennial, DanceHouse is pleased to present the acclaimed work of celebrated Finnish choreographer Tero Saarinen. In Morphed, seven male dancers seduce, challenge, demand and swagger, borrowing from casual street dance, Gene Kelly musicals, classical 19th century and modern dance. Saarinen masterfully crafts a fresh exploration of masculinity undaunted by the extremes of sensitivity and heroism, and all that lies between.</p>

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			<p><strong>Post-show Social Sponsor</strong><br />
<img loading="lazy" decoding="async" class="alignnone size-full wp-image-1012" src="https://dancehouse.ca/wp-content/uploads/2020/08/finland100x80.png" alt="Embassy of Finland" width="100" height="80" title="Tero Saarinen Company (Finland) 9"></p>
<p><strong>Birthday Cake Sponsor</strong><br />
<img loading="lazy" decoding="async" class="alignnone size-full wp-image-1010" src="https://dancehouse.ca/wp-content/uploads/2020/08/bertacchi_logo-100x100-1.png" alt="Cappelleria Bertacchi" width="100" height="100" title="Tero Saarinen Company (Finland) 10"></p>

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</div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner"><div class="wpb_wrapper"><div class="vc_empty_space"   style="height: 100px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“A seldom-seen, wondrous combination of hardness and softness brings out the potential of dance.” – Dance Magazine</p><div class="vc_empty_space"   style="height: 10px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“…beautiful choreographies, oscillating between contemporary dance, Butoh and classical ballet. Vigorous jumps are contrasted with equally touching, troubled motions…Roaring applause for an unusual, individual, fascinating performance.” – Neues Volksblatt</p><div class="vc_empty_space"   style="height: 10px"><span class="vc_empty_space_inner"></span></div><p style="font-size: 18px;color: #e20b20;text-align: left;font-family:Alegreya;font-weight:400;font-style:italic" class="vc_custom_heading vc_do_custom_heading" >“A breathtaking total audiovisual experience that touches us deeply, powerfully, and enduringly.” – Turun Sanomat</p></div></div></div></div></div><div class="vc-row-container container"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<p style="font-size: 75%;">Top photo: Tero Saarinen Company, <em>Morphed</em> © Mikko Kunttu.</p>

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		<title>Speaking of Dance Conversations</title>
		<link>https://raredhbu2025q1.dancehouse.ca/event/sod-conversations-oct17/</link>
					<comments>https://raredhbu2025q1.dancehouse.ca/event/sod-conversations-oct17/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 24 Oct 2017 16:57:56 +0000</pubDate>
				<guid isPermaLink="false">http://dancehouse.ca/?post_type=portfolio&#038;p=1118</guid>

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			<h2>Cultural Policies in a Global World: A Comparison</h2>
<h3>Tuesday, October 24, 2017; 7pm<br />
Djavad Mowafaghian World Art Centre, SFU Goldcorp Centre for the Arts<br />
149 W. Hastings Street</h3>
<p>Moderated by Janet Smith (Arts Editor, The Georgia Straight) with Jarkko Lehmus (dancer, Tero Saarinen Company and producer, Cirko – Centre for New Circus).</p>
<p><strong>Co-presented with SFU Woodward’s Cultural Programs.</strong></p>
<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-574" src="https://dancehouse.ca/wp-content/uploads/2020/07/SFUW_LogoWordm_3C_www.png" alt="SFU Woodward&#039;s" width="150" height="53" title="Speaking of Dance Conversations 11"></p>

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			<p style="font-size: 75%;">Top photo: Speaking of Dance Conversations © Heather McDermid</p>

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